Monte Cassino, Part 4: More Rubble!

The final stages of the Monte Cassino board commence.  As I mentioned in a previous post, work was continuing on the figures for the army!

I think you can see the familiar archways on the machine gun team's base.  It is measured to match the arches on the display board, and I tried to keep the same colors too.

These ruins offered some unexpected benefits, such as places to store extra ammo boxes and other equipment.

Using a spray bottle and some watered down glue, I put some medium and coarse gravel on the lowest layers of the board.  These matched what I had been using on the bases of the figures.

This is just about ready to get some paint!

I sprayed some more of the glue water mix onto the board, so that it would sink down into the cracks and secure more of the rubble and gravel in place.

Using my Badger airbrush and a collection of Stynlrez primers, I started to get a variety of browns, tans, greens and grays to keep the color from getting too static.

More of the reddish brown primer was used towards the base.  Since I used these acrylic primers, there was no issue with 'melting' the foam with spray cans, etc.  It also meant that I could be very targeted with my sprays, and get more variety of colors in the shadow areas.

You will notice that the inner courtyard walls have been removed for painting.  This is something that I anticipated early on, which you can see in the first few episodes.  While it is not always easy working with pieces that are not completely attached, the end result made me glad that I went to that extra trouble!

You can see the process of painting that interior here.  The insert shows that I did my old trick of using a torn paper towel as a mask to create some really quick marble effects.  

As this was all going to be in shadow, I was not worried about getting precise details.

Here's a look at the interior of the walls, and the archway pieces.  I think you can really see how much easier keeping that all unattached made this process!

I glued all those pieces together, and got everything ready for a stage I had been looking forward to.  That is, putting rubble on the upper floor of a building.

This had the potential to be even more tricky than the rubble on the lower levels of the board.

Many figures needed to be placed here, so that they could be easily seen.  Also, this is supposed to be terrain for our games, so it is vital that figures can move around and stand there without falling over.

I concentrated the bulk of the rubble towards the ends of the two openings.  This would be the most visible section, and it would tie in with the rubble piles directly below.

I used the same trick  with the plaster as before, 'casting' a flat section of it at about 1/8 inch thick and allowing it to break up naturally.  The leftover small chunks were sprinkled over some watered down glue mix that had been sprayed onto the rubble piles and floors.

Once this dried, it would be ready to paint using the same Stynlrez primer and airbrush.

I just could not resist putting a few things on the board to see what it was going to look like...

Last but not least, I had to rapidly sculpt an objective marker.  Once I saw the photo of a Fallschirmjager standing next to the broken statue of St. Benedict, I had to make this.  I found as many reference images as possible of the restored Madonna statue that stood opposite of the St. Benedict.  

I wanted to have the juxtaposition of a pile of weapons and fuel barrels stacked at her feet as she surveys the destruction and chaos all around her.

The next post will have the images of the completed board along with the figures, so you will get a chance to see the entire story play out!  Stay tuned...

Swingin' the Blues

One more of the blue Vikings for you!  These guys are done in the style of my Army of the Dead, just substituting blues for the greenish glow.

Here's a peek at those Army of the Dead:

https://wappellious.blogspot.com/2016/06/and-dead-shall-rise.html

The Army of the Dead will also be part of the Army Painting series (the $15 level) on the Patreon Page.  I will take your through the basing process all the way through the glowing and corrosion effects.  I have the figures prepped, and the paints are ready!  

There's already 3 complete series up on the page now, and each set of episodes contains 10-13 hours of videos.  Here's a link to the page:

www.patreon.com/JamesWappel

Monte Cassino: Part 3

Part three of the Monte Cassino display board sees it starting to take shape!  Of course, it would not be much use as a display or terrain board of miniatures could not fit on it... so let's see a few on the board!

The Machine Gun and Mortar teams were based to make it look like they were taking shelter in the broken colonnade.  While this was done to make them mesh with the display board, it proved to be very handy in making little shelves for them to put all their stuff on!

Now for the cascade of broken tiles and walls!

Just as I described in the previous episode, I pressed the pre cast pieces of plaster onto the surface, with the pressure creating natural breaks in the pieces.

This process was repeated all across the display board at various levels

I had to make 5 or six "casts" of plaster, and I varied the thickness on each.  The inset really gives you a sense of what it looks like up close!

I did have to be careful to keep my 'platforms' clear, however, or there would be no place for the support weapon teams!

I also needed to add some details to the existing walls, such as the stone sills and the brick texture.

I did that very quickly with a pen, trying to extend the pattern over both walls.

I like to put some Oxide Paste on the tops of the broken walls, which makes them seem less like foam, and that the bricks may have been pulverized, etc.

I wasn't going to have lots of extra time to do my usual layering of coarse to fine gravel, so I opted for focusing on the areas which had the least broken plaster bits.

I was going to use some fine flock instead... as I have learned of previous pieces that it almost looks more like dirt/dust than painted sand!

The yellowish material that you see if wood filler.  I found that it can be very good at filling wide gaps, since it is very strong and flexible.  Once that is in place, a thinner layer of plaster can be added over the top.

I think you can see the plastic container in the lower left..  That had left over dried chunks of plaster in it, which made ideal smaller rocks!

I tried to keep the overhanging pieces a bit on the thicker side, and they were set into the glue/plaster mix.  I worked my way all around the Abbey, proceeding down each level of the collapsing sand castle.

The gently sloped lowest level is meant to hold a vehicle or two, but also serve as an easy place to "connect" the other pieces of the terrain board.

Here it is with rubble and gravel applied!!  Stay tuned for the next episode !!

Monte Cassino Display Board: Part 2

Part 2 of the Monte Cassino display board continues with the setup for adding plaster to all the foam work.

As I mentioned in the first post, the interior of this upper level would have to be removed for painting before I could finish that off by adding rubble, etc.

Using those junk pieces of white foam gave me several advantages, one of which was the basic shapes that appeared as I broke them apart.  You can see what looks like the walls of foundations and lower sections of the board.

When I gathered references, I noticed that the intense bombing even tore away parts of the hilltop, taking the structure along with it.  So, I thought these exposed sections might be interesting!

I used the painters tape to hold the white foam sections in place as the glue set.

When I was working on the forest terrain pieces, I noticed that adding wood glue to the plaster mix provided extra strength and adhesion.  That was going to be very important on these near vertical sections of ground and broken walls.

Since you have to add moisture anyway, it might as well add that flexibility and holding power!

As the plaster was setting, I took broken bits of foam and created some larger sections of shattered walls.  The plaster will also cover up the very obvious "bubbles" of the white foam chunks.

Here's a closer view of the scrap chunks of foam added to create a landslide effect.  Again, looking at the references the entire structure resembled a collapsing sand castle.

Now for the really fun part!  I took some plaster mixed with a little more water so that it would flow into some quick moulds.  This would be a larger experiment of something that I discovered by accident on a previous project.

In that instance, I had taken left over plaster chunks from my mixing container and poured those out onto wet glue and plaster on a hillside to create some rocks.

Let's see if I can make some broken floor and wall pieces from this!

Adding even more wood glue to a plaster mix, I would set those plaster chunks down onto the surface, pressing on them a bit.

This pressure caused additional breaks and cracks, and gave them a very natural look.  In the past, I have carved up broken sculpey pieces to create broken walls.  That is OK on small bases, but not on the massive scale of this project.

The cracks and breaks were even more pronounced when they were placed on very uneven surfaces.

More plaster was added to the lower levels also, keeping in mind that sand castle effect.

I tried to keep the plaster as thin as possible, because that could add a bunch of weight.  The use of the white foam certainly cut down on the extra pounds!

Let's not forget the purpose of this project... and that is the primary use as a display board.  I will be doing additional posts on those individual units and weapon teams.

The bases were made to match the terrain as closely as possible.  I tried to leave specific areas on the board for each figure, so that it also became a diorama.  When it is used for games as a terrain piece, these key places will be important for units as cover, line of sight, etc.

Stay tuned for part three!!

Wild Shot

This is Illethena, one of the characters from the new Wild Assent board game on kickstarter.  The home page has some information on who she is:

https://wildassent.com/seekers/illithena/

Each of the miniatures are one piece, detailed but solid.  They also have quite a bit of detail, as you can see here.

Here's a link to the campaign, which is approaching the final day!

https://www.kickstarter.com/projects/1449412950/wild-assent-survive-the-arena-and-tame-the-wilds/

A Little NMM: Unit painting videos

The Age of Sigmar Medusae unit was a fun way to begin the Army Painter video series!  As with each set of tutorial videos, I start out with the basing.

This involves more than just making a batch of bases... I try to go deeper into how to manage time and thereby your choices.  I give examples of how much time is added by adding various extra effects, and if it is worth spending that additional time.

We all have very little of that precious resource to spend on our own armies, so understanding the implications of each choice can mean the difference between getting it done when you need it or never completing it in the first place!

I attempted to show what impact adding things such as Object Source Lighting and Non Metallic Metals can add in a visual sense, but also how that makes each piece potentially take longer.  

Of course, I am also trying to show how to make those extra effects take less time, and where "savings" can be found!

You can check out all three Army Painter series here on the Patreon Page:

www.patreon.com/JamesWappel

The GreatJon

This GreatJon figure from the Song of Ice and Fire miniatures game was painted in oils, using mostly the Mig Ammo Oilbrushers.  It was a lot of fun to do various blending of colors, etc. a few hours after the paint had been applied to the figure.

The idea behind the use of oils is to make it easier to work on large batches of figures at the same time, as the figures themselves become the palette!  This will allow me to work my way through an army more quickly, but still get the same kind of subtle color transitions as I might on a single figure.

In fact, this figure was painted at the same time I was working on the Winter Soviet Bolt Action minis.

One of my favorite features of the Song of Ice and Fire minis are the weapons.  These are well cast from a stiffer plastic, which means they are very strong,  and have little to no clean up!  Practically a perfect weapon every time.

I am creating tutorial videos for each of the Stark and Lannister special characters, focusing on the basing and individual aspects of the clothes, faces, etc.  These will become available to the Patrons on the Patreon page:

www.patreon.com/JamesWappel