Here's another round of tests on the Foldio Studio.
These images were shot using my old setup, which I have determined should be used for large scale things such as group shots and terrain.
They were taken using my normal three light arrangement... one from above, and one from each side.
These three lights tend to eliminate the shadows cast by the other lights, depending on the pose of the figure in question.
I bring this up now, because the following set of images will demonstrate the advantages of the new Foldio studio. The ability to raise or lower the intensity of the lights turned out to be a much bigger advantage than I anticipated.
My previous attempts at using these mottled backdrops had a tendency to burn out the middle tones of the figures. The faded, misty backdrops did this a little less, but I wondered if the intensity pf my lights could be causing this.
I tried to move the lights further away from the figures, but that led to more shadows being created, both on the figure and on the backdrop. You will notice here that no such shadows occurred with the Foldio.
Since I could dim the lights, I had a better chance to avoid that burnout effect on the mid tones. Instead of moving lights around, I could tone down the brightness of the lights, and not add those shadows.
There's a variety of reasons I wanted to use these backdrops. First, I hoped to create more of a theme with my images, but there was another practical matter.
Sometimes the figure I am trying to photograph has a great deal of the cyan, or sky blue color. This tends to make the figure blend into the backdrop. Many of the figures I have painted with the blue glow run into this issue to some degree.
It would be the same as if I were photographing the RJ-1027 glow on a reddish backdrop.
She's also here:
A side by side of two backdrops, with the one on the left having been done with the Foldio setup.